Showing posts with label 2009. Show all posts
Showing posts with label 2009. Show all posts

Tuesday, June 30, 2009

Canonization



We danced hard.

We watched him. We studied those moves. We studied those moves like our lives depended on it. We succeeded and failed. I had no rhythm in 1982. Eight year old me struggled to copy those moves. In third grade at Golda Meir Elementary, we had a talent show and a group of us practiced a dance routine to You Wanna Be Startin Something. I was the weakest link. I danced like the Tin Man in the Wiz, even though I always adored the limberness of the Scarecrow.

I remained a fan but kept it closed to the vest.

My late friend Peter had a saying, 'Sometimes, you just gotta dance out your demons.' He picked up from watching an episode of Charmed. I used to mock him, but I still accepted the underlying wisdom.

I've been watching old videos of Michael like everyone else has over the past few days. A few videos come to mind, Beat It, Jam, Black or White and the seminal work, Thriller. Watching Michael's dance solo at the end of the Black or White video (beg at 6:32) I can't help but feel he was dancing out demons. He morphs from panther to man dancing fluid, masculine, and wild, then back to panther.

Michael was Matrix before the Wachowski Brothers dreamed it.

What were those demons? Only time will tell us the full extent. We saw evidence of them over the years, never quite grasping his metamorphosis from black man to indeterminately ethnic. Perhaps it was a hybrid of love and hate for mankind that compelled him to make his body a template to teach us something. That we are one people, beyond artificial lines of color. I did see that. However, I also saw a soul in crisis, sacrificed to us for contempt and ridicule.

I did eventually figure out how to dance. It was in 1991. Shit was pretty bad then for me, but this song may have saved my life. Flexibility and abandon came when I finally let go and surrendered myself to pulse of the music. And the body memory of those moves revealed themselves to me.

Sometimes, you gotta dance it out.

Only now, I realize that I turn to his songs to help me deal. In his voice, the rage at injustice, poverty, racism, all the things that divide us vibrate underneath his songs. I connected to that. It's the equivalent of a primal scream for me. Growing up in '80s and '90s America and being black were challenging times. My family struggled during those times. My parents couldn't afford to buy me a Thriller jacket. We ate government cheese. I was lucky to score an old copy of Right On to clip pictures and pullout posters of El Debarge, Michael Jackson, and Prince. There were drugs. There was crime. There were senseless deaths. There was hunger.

Things that make you wanna holler. Or scream.

It seems to me Michael came from a musical tradition to give voice to those struggles. Marvin Gaye's What's Going On begot Stevie Wonder's Innervisions and Songs in the Key of Life, begot the Jackson's Can You Feel It, begot We are the World begot Man in the Mirror, which begot Heal The World.

He was an artist.

He used music to give voice to our shared frustrations, local and global. He also gave us hope. He entertained us. His videos challenged convention and elevated story. He merged forms revolutionized dance as means of communication. He reminded us that there is ecstasy and joy in dance.

He held his crotch because when you have Kundalini energy moving through you, you gotta try to harness it.

Shiva is known also as the cosmic dancer. It is said that Shiva's dance manifested in two forms, gentle and violent. Shiva dances to destroy, create and build again. Watching Michael, I can't help but wonder if that was the energy he was trying to manifest in his fluid motions, pirouettes, pops and locks, gravity defying leans and moonwalks. Michael broke down old forms and barriers in everything and birthed something new.

He was a deeper creative spirit than I had originally imagined. It seems clearer to me now as I look back on all those years with adult eyes. Michael was a student of history and culture. It didn't seem obvious to me growing up, but now, I'm a better student. I've studied other cultures and their dances, and I understand now what Michael was trying to show us.

I weep for yet another marker of the end of my childhood. Nothing lasts forever. It sucks that sometimes you have to lose something to realize how much really had.

But I'll never forget the dance. I'll shake my body onto the ground as if all of creation depended on it.

They Don't Care About Us

I'm not alone in seeing the connection.

The person who posted this originally created it before MJ's passing. If anyone denies Michael Jackson's reach, message and legacy. I encourage you to look at the video.

Warning: These images contain graphic content and may not be suitable to minors.



The world is watching.

Tuesday, June 16, 2009

Mad World

I feel their sense of urgency. And I'm hopeful for their success in achieving self determination as a society. The people deciding who represents them. It's not so much about the who's the best leader for the Islamic Republic of Iran. It's about respect for the process, the structure of the civil society itself. Mousavi is symbol now. I don't think we'll ever come to know what kind of leader he would be. But these protests do show that the people were seeking an alternative to Ahmadinejad, a leader that could be a vehicle for reform within their society. And the system failed them.

Remember 1989? There's a weird symmetry in history. Deja vu all over again. I remember feeling the same desperate sense of urgency and hope and dread for the students in Tiananmen Square in June 1989. I was a tween then, but I understood the longing of an oppressed people challenging the system. Later when we started high school that same year, two German tourists spoke to my world history class and talked about the shifts they were feeling then in their own country. I asked them a question that I felt in bones. I asked them if they thought the Wall would come down. I still remember his facel, and he said, 'I hope so. I sure hope so.' It could not have been more than two weeks later and the unthinkable happened. I remember Jeremy running to class the next morning saying to me, 'Syreeta! How'd you do that? How'd you know? You called it!'

All I can say is that people dream in a common language. If you heard those German tourists in my history class in 1989, you could feel the urgency for change. And I don't think it's a stretch that young Germans felt a kinship with the students in Tiananmen Square. In the wake of that tragedy, they might have found their courage to challenge the old order in their nation.

The poignant part of the President's Cairo speech two weeks ago sort of reads now as a prophetic allusion to events that are now manifesting. Pundits have found fault with the connection with Civil Rights Movement and resistance movements -fringe to moderate- of some Arab communities to regimes. I felt that it struck a very raw nerve. Something that we all had to acknowledge. African Americans learned from the Indian struggle against British rule during the first half of the twentieth century. In 1947, India became a sovereign nation again. Our own history shows how civil disobedience can affect change. It ended injustices my forebearers suffered through. It gave me the right to vote without fear. It seems clear to me now that the Iranian kids heard him. Still, Obama can't engage them directly. That's not his purpose at this time. A statesman engages governments. This is a populist movement. And all we can do is watch, support, and hope that human rights are respected.

My color scheme is green so that they know that I'm with them.

Tuesday, June 2, 2009

Funkin' Lesson

I don't know what's going on in my brain today. But it began with a question that I woke up with this morning: what is black?

And then I remembered the jam from back in the day.



Still thinking about where I'm going with this question. But right now, I'm shakin' my ass to early '90s hip hop.

Thursday, January 22, 2009

Do More...


Beyonce was inspired.

You could feel it. The President and First Lady felt it. So much so, that they had to end their little, sexy two-step slow dance groove to acknowledge it. She found her voice.

And then some:

"He makes me want to be smarter, to get involved..."

President Obama has certainly inspired millions. But she's fortunate just to look at her own husband, Shawn "Jay-Z" Carter. His most inspired act as mogul and musician was a couple of years ago where he teamed up with the UN bought pumps to help supply potable water to an Angolan slum in sub-Saharan Africa, and then shot a documentary with MTV called Water for Life in 2006.

From that experience, Jay-Z has said "I come from Marcy Projects in Brooklyn which is a tough place to grow up, but this has shown me how good we have it...take it from me, you're not from the hood. You haven't seen people with no access to water. It really puts things into perspective."

Seriously, B? Obama isn't the only model for change to look toward.

Sunday, January 11, 2009

Homer gets in your eyes...

I'm not sure if or when Mad Men will return. The parallel between Don Draper and Matt Wiener was certainly not lost on any of us. However, in my time of need, I turn to youtube for answers:



I love this so much.

Friday, December 26, 2008

Things to Look Forward to in 2009

For Starters:

1. January 20, 2009
2. Elizabeth Alexander's poem for the inauguration
3. Robert Downey, Jr. and Jamie Foxx in the Soloist
4. Literary debut of The Other Side of Paradise by Staceyann Chin
5. Everything Ravaged, Everything Burned by Wells Tower
6. Mad Men Season 3!